L'Artemis nella decorazione parietale da Pompei, VI Insula Occidentalis 10

Two principal reasons, the first scientific and the second artistic, give rise to this article. The scientific (iconographic and iconological) research relates to the first years of the Augustan Empire, concerning especially two frescos: the Artemis from the Insula Occidentalis (MANN) and the Winged Genius of the Casa degli Epigrammi in Pompeii. I think that both frescos are the work of the same artisan, because I have remarked it by drawing these subjects. I single out moreover interesting questions about the linear perspective in Roman painting.