lermArte, 26
2020, 116 pp., 20 ill. col., 60 ill. b/n
Paperback, 21,5 x 28,5 cm
ISBN: 9788891321091
ISSN: 2612-4718
Print on Demand / POD
Palladio was the first to provide a visual representation of an ancient concrete walling construction method using removable wooden formwork, which he termed maniera riempiuta, a method since used by modern and contemporary architects. The current study traces Palladio' s creative reading of Vitruvius, focusing on the afterlife of Vitruvian emplekton, since it seems to have been equated during the Renaissance with the maniera riempiuta. It also investigates the Classical literary and archaeological sources of the concrete walling methods proposed by Palladio, identifying a forgotten aspect of their enduring impact on European architecture until at least the early nineteenth century.
Foreword Howard Burns Acknowledgements Summary Introduction I. The Historical Terminology of Concrete from Antiquity to the Nineteenth Century II.Vitruvius, Opus Caementicium and the Renaissance III.Emplekton Walling in Renaissance Architectural Writings before Palladio IV.Daniele Barbaro and Palladio on Concrete infill Walling V. The Legacy of Palladio' s Maniera Riempiuta in Late Eighteenth-Century France Conclusion References Index The Authors
Luka Pajovic, University of Cambridge, ‘Construction history : international journal of the Construction History Society.’ Volume 37, No. 2 (2022) , p. 113-14, 31/12/2022
Palladio and Concrete Archaeology, Innovation, Legacy.
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